|
Yannis
Kounelis (1936-)
Kounelis' art focuses on the themes of travel, commerce and industry. He often incorporates
materials and objects related to these recurring themes into his work - including burlap sacks, wood, and lumps
of raw coal.
In 1994, Kounelis staged a retrospective on the Ionion ,
a freighter moored in the port of Pireaus - a perfect
metaphor for the Greek
seafaring tradition. The "Ionion" 's
battered exterior offered a fascinating contrast to the installations
within, creating "an environment within an environment" .
Inside the hold, sheets of steel were stacked against the
walls, burlap sacks, sacks of coal, and coffee-measuring scales
strewn on the floor, and stones from the ceiling. The exhibition
was organised by the J.
F. Costopoulos Foundation .
The "Ionion" was a homecoming for Kounelis, who had left Greece in the mid-fifties in search of modernity. Born
in Pireaus, Kounelis moved to Rome at the age of 20 to study at the Academy of Fine Arts. Many consider him a
pioneer of the Arte Povera movement. In 1960, he had his first solo show at Rome's Galleria La Tartaruga. Between
1960-84, Kounelis exhibited all over the world. In 1986, the Museum of Contemporary Art in Chicago organised a
Kounelis retrospective. In 1997, Kounelis exhibited at the Museum Ludwig-Kelk, in Cologne, Germany. He currently
teaches at the Academy of Fine Arts in Dusseldorf.
|